Friday, January 27th (6-8 pm) and
Saturday January, 28th 2012
(10am 4pm)
$75 Per Student

Workshop Description:
Learn to bake traditional breads and pies Pueblo style in a traditional horno oven.   Cotten, a native from Isleta, will guide all participants through the preparation of dough/ingredients for both pies and oven bread. Students will have an opportunity to see how these foods are baked for our feast days and ceremonies and each student will leave with at least three loaves of bread.

BIO:
Bernadette Z Cotton was born in the Pueblo of Isleta New Mexico, Cotton has continually strived to be a positive influence on Mother Earth and to all that may be a part of her world. Coming from a family that has always put culture at the forefront, including a father that was at one time an Isleta Governor and respected medicine man, Bernadette has always been an advocate the struggles Pueblo people face in both the modern worldand the traditional world and in her classes, she will present the integral parts of the Isleta Pueblo creation story. 

Two 2-day Workshops:
February 11 & 12 or 18 & 19
10a-3p| All Materials Included
Limited Enrollment | $60

Workshop Description: Olivas will teach the fabrication of pine needle baskets using natural materials. She will provide pine needles from trees around her home, as well as natural thread. Over the course of the class, students can expect to go home with a completed 3” diameter basket and endless ideas for work with pine needles.

Bio:
Mary Lou Olivas was brought up in Ysleta del Sur Pueblo, just east of El Paso, Texas. The Ysleta del Sur Pueblo tribe was established in El Paso immediately after the Pueblo Revolt in 1680, with its founding members originally from Isleta Pueblo in Albuquerque, New Mexico.  She currently resides in Los Alamos, New Mexico with her husband, two daughters, and one lovely granddaughter. She chose to be a full-time mom, opting to stay at home and raise her children instead of pursuing a career outside of the home. This path provided her with ample time to commit to and develop her art. Olivas enjoys most types of needlework, and is an accomplished garment maker. She enjoys sewing, crocheting, knitting, and embroidery. She learned the basics from her mother, who made the clothing that she, her two brothers, and four sisters wore when they were growing up.  About ten years ago, under the mentorship of Joe Val Gutierrez of Santa Clara Pueblo, she undertook weaving traditional red willow baskets. Weaving of the baskets was a natural outgrowth of her needlework skills.  Always  interested in learning new art forms, she is currently studying micaceous pottery at the Poeh Arts Center, under the tutelage of Clarence Cruz.

March 3 – 31, SATURDAYS ONLY 9a-1p March 31 class will be held in the Antelope Room
All Materials Included | Limited Enrollment | $220

Or at the Indian Pueblo Cutlrual Center
Call Kay 505-212-7052

Workshop Description:
The art of weaving is a very ancient tradition among the Pueblos of the Southwest. It is a tradition that pre-dates pottery by several centuries. Sadly, it is one of the art forms that has experienced a sharp decline since the colonization of Pueblo communities. Despite this fact, Pueblo textiles are still very much an integral part of Pueblo culture and identity as they make up the traditional regalia and dress for religious and other special occasions. Louis will teach students the fundamental aspects needed for individuals to understand the history and the ever evolving aspects of Pueblo textile weaving. Students will be able to integrate what they have learned into future works of their own under the guidance of this truly gifted Pueblo weaver.

BIO:
Louie García is a Tiwa/Piro Pueblo weaver whose family originates from southern New Mexico in the Las Cruces/El Paso areas. He is a self-taught weaver as many other Pueblo weavers before him. Having been brought up by his grandfather, García learned from a young age the importance of maintaining Pueblo tradition and cultural values. These teachings have inspired him to offer these classes in the hopes of revitalizing the art of Pueblo weaving and encouraging a new generation of Pueblo weavers.

March 24, 2012, 10am-2pm.
Limited Enrollment
$25 per adult; $10 per youth

Or at the Indian Pueblo Cutlrual Center
Call Kay 505-212-7052

Workshop Description: Kit that will include 1 styro foam ball (4"); 1-2 Skewers; 1 Chaco Canyon Book- 'Ancient Observatories', or 'Chimney Rock'. Resource list of websites and literature to access for extended learning.

First Activity- Learning about the Equinox/Soltice
Shadow finding of NS & EW Lines (90 degree angle- determine setting sun); building a sun dagger. Participants will monitor shadow hourly and collect data on movement (through observation).

Second Lesson- Discussion on Pueblo Astronomy
Participants will watch clips of sun dagger movements (Soltice project) & Moon cycle (Ron Sutcliff).
Discuss the ideas behind the connection of the sky & earth to Pueblo Culture.
Ideas for discussion: seasons (planting, harvest, hunting)

BIOS: Dr. Kirby Gchachu grew up on the Zuni Pueblo Indian reservation with his nine siblings and maternal grandparents in one home. His father was a heavy equipment operator while his mother worked as a jewelry artist. His father passed away in an unfortunate automobile accident. His mother at 86 continues to be creative with beaded dolls and tend her small waffle garden in Zuni. Kirby was first in the family to receive a college degree and pursued his dream to becoming a doctoral in education. As a child he learned the English language when he attended a Christian Reformed Mission School but remained connected to his roots. Science experimentations came naturally as he was surrounded with nature. He took these ideas as he became a certified educator. His first task was to assist and collaboratively create a school district and secondly to learn and understand the system of western education while maintaining his cultural roots to connecting with nature. Gchachu also became a linguist and collaborated in the development of Zuni orthography. Now Zuni people are able to use computers to write in their language.
His current pursuit is to further understand his ancestral connections through science, mathematics, and language. His studies are focused around Chaco Canyon and the connections through mathematic and science.

Dr. Shelly Valdez is a member of the Pueblo of Laguna Tribe and Hispanic descent. Her educational background includes a Bachelor of Arts in Elementary Education, Master of Arts in Bilingual Education, and Ph.D. in Multicultural Teacher Education focusing on research in the area of Science Education.

She has worked in the area of education for 28+ years and currently owns & manages an educational consulting business, Native Pathways, (NaPs), located in central New Mexico. An important component of NaPs focuses is in the area of world views in science, primarily focusing on indigenous science. Valdez' interest and passion of indigenous science has influenced her approaches in the field of education and partnerships she works with. As part of her work, she is invited to join various educational boards, committees and supports educational programs at local, state and national levels. Her greatest moments in life are spending time with her son, Shpeyiah (Kyle) Swimmer, who is a freshman attending the New Mexico Tech University at Socorro, New Mexico.

Dr. Valdez' vision for the future is to continue to be an active participant and an advocate for influencing worldviews in evaluation and educational opportunities for indigenous people.

2 weekends
(March 31st & April 1st OR April 7th & 8th) Saturdays/Sundays – 10am to 3pm each day. $65

Or at the Indian Pueblo Cutlrual Center
Call Kay 505-212-7052

Workshop Description:
Dominic Arguero has worked extensively with gourds for the past 15 years. He has exhibited and sold work throughout the country in public and private collections. All students will learn how to open and cut, clean inside and out, design, paint and seal Southwest style gourds.

Please, adults only.
Students will be working hands-on with sharp tools and electronic power tools. Students to bring work clothes. You are going to get your hands dirty. Also, bring artist paint brushes and antique designs that you would like to attempt.  Larger gourds will be available on site for sale if someone is interested in working on a larger scale.

Workshop fee includes small and medium gourds, paint, most brushes and all cutting equipment. Please call 505.603.7613 with questions.

BIO:
Dominique Arquero is an enrolled member of Cochiti Pueblo in New Mexico and has had a long career in the arts. Growing up in a world steeped in cultural richness, his work reflects the intensity of his tribal heritage. Through his ingenuity, Arquero has brought his influence together to create works of art that represent traditional tribal themes, yet lean toward the innovativeness of contemporary pieces. Arquero was born in Santa Fe, New Mexico and received his formal education at the Institute of American Indian Arts in Santa Fe majoring in two-dimensional arts. He received his Bachelor of Arts degree in Visual Arts with a minor in Political Science at the College of Santa Fe.  Aside from teaching, lecturing and hosting numerous shows and Pow-wows, he has participated in many art shows and exhibits across the country while winning awards and honors since the 1970’s. He has also been included in various art publications. He has served in various prestigious organizations such as the Santa Fe Council for the Arts, and the Native American Artist Association, Inc.  Arquero believes he has been blessed with a gift that he needs to express and share with the rest of the world and is fortunate to be able to make a living doing what he loves. His work is his life and his life is his work.

Every Tuesday and Thursday (3rd, 5th, 10th, 12th, 17th, 19th, 24, 26th) throughout the month of April 2012 | $155

Or at the Indian Pueblo Cutlrual Center
Call Kay 505-212-7052

Workshop Description: This class is a basic introduction to several varieties of techniques and mediums. Drawing, color, watercolor, acrylic, and portfolio making will be introduced in each class. Each student will be introduced to the concepts and techniques of each medium with the opportunity for peer critique at the beginning of each class. Each student will be assigned take home projects to be completed by the next meeting. The final class will have opportunities for those that wish to advance in their artistic endeavors such as building portfolios, artist statements, framing and display of finished work and ways in which to enhance your artisan experience whether it be art shows or continued art classes. This class is for the beginner, the intermediate or the just plain curious. *Some supplies will be needed for the class.

BIO: Mallery Quetawki is a tribal member of the Pueblo of Zuni in Zuni, New Mexico.  She received her Bachelor of Science degree in Biology with a minor in Art Studio in the Summer of 2009 from the University of New Mexico. As an artist, Quetawki evokes the powerful history of her people through her art.  Her works include traditional and non-traditional Zuni art such as:  Pottery, sash belt weaving, drawing, painting, and other forms of crafts.  She received her traditional pottery techniques during high school from Mr. Gabriel Paloma (Zuni) and also during her collegiate years under the mentorship of Mr. Clarence Cruz (Ohkay Owingeh).  Other noted teachers and mentors are Mr. Herrin Othole (Zuni) where he taught her 4 years of high school art and Ms. Vera Sprunt from the University of New Mexico whom taught and mentored her in Advanced Drawing and beyond.  Her creations pay homage to her culture by portraying ancient symbols and designs throughout her work.  An important goal of hers is to combine traditional and contemporary Native American art and make it work successfully as one.  Her roots are traditional but with modern influences.  She hones several signature styles and designs one of which is the storyteller owl pottery.  In both her 3-D and 2-D works she also uses cross-hatching as a signature mark for her work.  Other motifs widely seen in her products are butterflies, rosettes, and the rain bird.  Quetawki is currently living and working as an artist as well as a student.  She recently completed a permanent display mural at the main entrance to the Indian Pueblo Cultural Center in Albuquerque.  Other noted works is a set  titled "What Makes a Zuni?" also on permanent display at the Zuni Indian Health Service hospital in Blackrock, NM.  There is also a collaborative display called the Zuni Map Art Project at the A:shiwi A:wan Museum and Heritage center in the heart of Zuni where she also has an oil depiction of the Grand Canyon area and its importance to Zuni tradition.  The Map Art Project was featured in a documentary done by National Geographic on an episode of Wild Chronicles.